Skip to main navigation menu Skip to main content Skip to site footer

Vol. 19 (2020)

Scientific articles

Theological Implications of Motet Compositions. The Case of Ave Maria (…) Virgo Serena by Josquin des Prés

Published: 2020-12-30

Abstract

The article presents a search for certain theological implications in the work of one of the most well-known Flemish Renaissance composers, Josquin des Prés, exemplified by Ave Maria (…) Virgo Serena, one of the most perfect compositions of its times. A motet is a 4-voice musical composition to a Latin text. The source of the analysed text is probably a prayer in honour of Mary, Our Lady of Grace. The composition presents important scenes from   Mary's life. Each stanza is elaborated differently. The work contains certain motifs and theological themes that concern Mary. The analysed composition makes use of several compositional techniques. The text contains keywords that are crucial for the proper understanding of the composition. Theological content is conveyed by means of symbolic numbers and certain technical measures.

References

  1. CHOMIŃSKI J., WILKOWSKA-CHOMIŃSKA K., Formy muzyczne. Wielkie formy wokalne, t. 5, Kraków: PWM 1984. [Google Scholar]
  2. CHOMIŃSKI J., Historia harmonii i kontrapunktu, t. 2, Kraków: PWM 1962. [Google Scholar]
  3. COLLINS D. B., Canon in Music Theory from c. 1550 to c. 1800, Stanford 1992. [Google Scholar]
  4. COLLINS JUDD C., Some problems of pre-baroque analysis: an examination of Josquin's 'Ave Maria... Virgo Serena, „Music Analysis”4(1985)3, s. 203-220. [Google Scholar]
  5. COURTH F., NEUNER P., Mariologia, Eklezjologia (Podręcznik Teologii Dogmatycznej), Kraków: Wydawnictwo M 1999. [Google Scholar]
  6. DĄBEK S., Motet, w: Encyklopedia Katolicka, t. 13, Lublin: TN KUL 2009, kol. 351-354. [Google Scholar]
  7. Encyklopedia muzyki, red. A. CHODKOWSKI, Warszawa: Wydawnictwo Naukowe PWN 1995. [Google Scholar]
  8. JAGODZIŃSKI M., Zwiastowanie – komunijny przełom w historii zbawienia, „Teologia w Polsce” 12(2018)1, s. 15-25. [Google Scholar]
  9. Katechizm Kościoła Katolickiego, Poznań: Pallotinum 1994. [Google Scholar]
  10. MANN A., KENNETH WILSON J., Canon, w: The New Grove Dictionary of Music and Musicians. Second Edition, red. S. SADIE, t. 5, Oxford: Oxford University Press 2001, s. 1-3. [Google Scholar]
  11. MENCY P., Josquin des Prez, w: The New Grow, The New Grove Dictionary of Music and Musicians. Second Edition, red. S. SADIE, t. 12, Oxford: Oxford University Press 2001, s. 220. [Google Scholar]
  12. MICHELS U., Atlas muzyki, przeł. P. Maculewicz, Warszawa: Prószyński i S-ka 2002. [Google Scholar]
  13. PAMUŁA M., Josquin des Prés, w: Encyklopedia Muzyczna PWM, t.4. red. E. DZIĘBOWSKA, Kraków: PWM 1993, s 510. [Google Scholar]
  14. RIFKIN. J, Munich, Milan, and a Marian Motet: Dating Josquin's Ave Maria … virgo serena, „Journal of the American Musicological Society” 56 (2003)2, s. 239–350. [Google Scholar]
  15. Słownik teologii biblijnej, red. X. LÉON-DUFOUR, Poznań: Pallottinum 1994. [Google Scholar]
  16. SZLAGOWSKA D., Muzyka baroku, Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki 1998. [Google Scholar]
  17. TROWELL B., Fauxbourdon, w: The New Grove Dictionary of Music and Musicians. Second Edition, red. S. SADIE, t. 8, Oxford: Oxford University Press 2001. [Google Scholar]
  18. ZAWISTOWSKI P., Rozważania na temat retoryki w muzyce baroku, „Zeszyt Naukowy Filii AMW” 2(2003), 1-25. [Google Scholar]

Downloads

Download data is not yet available.