While analysing a ballet discourse, spectacle should not be treated like an exact performance, but like an internally conditioned contents and patterns of definite act of artistic environment communication. What should be accentuated is its universal bonding elements i.e. libretto – show – choreography – dance. In this article I strived towards mapping out the preparatory procedures for describing the precise definition of ballet discourse. I think that bringing out the fundamental and specific values has to transpire in a moment of clarification its essence as a particular communication. Accordingly, rapprochement to achieving this goal is prerequisite to chart next research initiatives.