Middle Ages

All Items

• The Last Judgment by Jan Memling in the Pomeranian Museum in Gdańsk

  107-166

  Bolesław Przybyszewski

• The late Gothic Crucifixion group in the church of St Mark in Krakow

  69-78

  Andrzej M. Olszewski

• The late Gothic pentaptych from the post-Cistercian church in Bukowo Morskie, founded by Abbot Henryk Kresse

  473-496

  Zofia Krzymuska-Fafius

• The original Franciscan church in Krakow

  77-89

  Antoni Zwiercan

• The parish church in Płoki with a painting of the Virgin Mary

  185-225

  Stanisław Kosowski

• The polychrome in sculpture and architecture of the Polish Cistercian churches in the Middle Ages

  341-359

  Maria Poksińska

• The post-Cistercian abbey in Bierzwnik. The archaeological research

  455-473

  Barbara Stolpiak, Teresa Świercz

• The romanesque and early Gothic architecture of the post-Cistercian church in Oliwa (12th-13th centuries)

  429-454

  Leszek Wetesko

• The sculpture of Christ in the Gethsemane from the collection of the Malbork Castle Museum

  107-130

  Artur Dobry

• The Tree of Jesse and the Passion content in the setting of the altar of the Holy Cross in the post-Dominican church in Klimontów

  145-176

  Leszek Stanisław Wojciechowski

• The wooden Cistercian parish church in Tarnów Pałucki in the light of latest research

  567-599

  Andrzej M. Wyrwa

• Traces on the walls of the church of St Nicholas in Gniew as an expression of fear of sudden death

  165-182

  Seweryn Pauch

• What can a sculpture have in common with a painting? Miraculous images of Marian sanctuaries in Zamarte and Byszewo

  551-566

  Lech Lbik

• Władysław Łuszczkiewicz's research into architecture and art of Polish Cistercians

  225-248

  Magdalena Młodawska, Marcin Starzyński

• “Iam seges est ubi Troia fuit”. Inscriptions from the no longer existing hall of the Cistercian monastery in Bledzew

  71-85

  Bożena Grabowska