Аннотация
The article examines how silence and sound operate across music and language, arguing that so-called “nonsounds” are not absences but active agents of meaning. In music, silence structures form, tension, and expression (from Beethoven and Mahler to Cage and Feldman). In linguistic interaction, pauses organise prosody, regulate turn-taking, and index social relations (Crystal, Jaworski, Tannen, Nakane). Noise, as described by Attali, Schafer, Sterne, and Thompson, reveals the political, historical, and environmental contexts of listening. Semiotic perspectives (Barthes, Eco, Nattiez, Monelle, Chion, Zumthor) demonstrate that silence and sound serve as signs and sites of interpretive openness. The paper proposes a continuum view in which meaning arises from the interplay of sound, silence, and noise.
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