In Poland, many new temples, polychromes, interiors, as well as liturgical fabrics and vessels have been built in recent years. Many of these works are based on tradition, leaving aside the contemporary, which includes artists, clergy and believers. Despite the existence of Church documents such as the Constitutions of the Second Vatican Council, which oblige the clergy to study contemporary art, sacred art seems separated from its roots. The author notes that the Catholic Church has not defined strictly theological principles for its art, remaining open to diversity. However, for many years the Church tolerated only acceptable forms of art, and recent pontificates have brought changes. The need for pastoral imagination supported by knowledge or intuition regarding art is pointed out. Clergy should look for artists who identify with the life of the Church and can create works that are a testimony to their faith. The author encourages increasing requirements, but without creating recipes for sacred art in advance. Finally, the author emphasizes that many people, including clergy, are interested in the problems of contemporary sacred art. It is worth continuing the discussions, and studies by local Churches should take into account local traditions and conditions. Without this, sacred art in Poland may remain an area of activity where outstanding works are few compared to the preponderance of mediocrity.
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